rivkat: River Tam beats up everyone (rt beats up everyone)
([personal profile] rivkat Apr. 9th, 2010 07:29 am)
Wow, that was a waste of potentially good material, given how enraging it was. I am choosing to interpret the good days/whore line as further evidence of Dean’s depression, which has recurred from S2, since even if you change it to “monster” it’s still moral deterioration from “saving people,” which Dean is now convinced he can’t do. Likewise, Lisa makes sense to me as icon of Things Dean Can’t Have. Though it’s a bit wince-inducing to talk a bunch about deadbeat dads and then have Dean … be one. Anyway, to me, untreated depression plausibly makes Dean despair, and it’s predictably unpleasant and static to watch. So many supernatural therapists for Dean, so little supernatural Zoloft.

Have some good news: [personal profile] podcath did a podfic of Finders Keepers (SPN Sam/Dean AU remix)! Audiobook here; mp3 here. And [personal profile] beadslut did a podfic of Ex Machina (SPN gen).

Also, those of you who’ve had trouble with LJ notifications: did opening a support request help? I haven’t gotten anything in a week, and it is annoying.
locknkey: con by <dreamwidth user="locknkey"> (Default)

From: [personal profile] locknkey


See, I could have lived with "on good days you get to kill the whore of Babylon." That's a person. "A whore"? Okay I get that - semantics changes the contextual meaning and you're right. Not something I'd thought about, but I can completely see it.

t's about what the show consistently does to disempower women, which is connected to your point about reproduction. Here, that worked, in a sense--since Lisa was never a person as far as Dean was concerned I agree with that whole heartedly and I think this idea speaks to the absence of Cassie as well. Yes - if Dean has had a true connection to any woman it would be Cassie. Her very absence - not even a phone call - but Lisa gets a whole scene - speaks to race fail as well as gender fail. I think, show, as writer, made poor choices this ep.
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