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Just resting. Reviews soon; and is there really any interest in "Clark wakes up a girl"? I mean, I've written this whole story, but I'm not sure how much it will do for anyone who isn't me.
Got my Remix Redux assignment: ulp. Just a little bit intimidated. At least Heinlein was dead and not, you know, watching.
Big important BtVS canon question: Does Kennedy have a last name? Relatedly, I think S4 might have to be my favorite season overall. After starting out weakly with The Freshman, Living Conditions and Beer Bad, it's awesome the rest of the way through, and I'd forgotten that even Beer Bad has some wonderful slamming of Parker the Seducer. I'm 2/3 through S5, and it lacks some of the punch -- also, all the Buffy/Spike stuff creeps me out, because for foreshadowing there's too much of it and because I do believe that it became real for Spike at some point, but I don't see it yet. Maybe when he lets himself get beaten to a pulp for Buffy's sake, because you're always hurt by the ones you love?
Got my Remix Redux assignment: ulp. Just a little bit intimidated. At least Heinlein was dead and not, you know, watching.
Big important BtVS canon question: Does Kennedy have a last name? Relatedly, I think S4 might have to be my favorite season overall. After starting out weakly with The Freshman, Living Conditions and Beer Bad, it's awesome the rest of the way through, and I'd forgotten that even Beer Bad has some wonderful slamming of Parker the Seducer. I'm 2/3 through S5, and it lacks some of the punch -- also, all the Buffy/Spike stuff creeps me out, because for foreshadowing there's too much of it and because I do believe that it became real for Spike at some point, but I don't see it yet. Maybe when he lets himself get beaten to a pulp for Buffy's sake, because you're always hurt by the ones you love?
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Clark-as-a-girl is also a good thing.