OK, so do/how do you all separate fiction from comics? My system is breaking down. (We use Library of Congress for nonfiction, but that's terrible for fiction.) I have a rough system of "nonsequential comics like Gorey or xkcd shelved with fiction, sequential shelved as comics." But it's only rough and I'm not really sure I want Maus shelved alphabetically by title with the comics instead of alphabetically by author name with the fiction.
Any suggestions? (To make matters worse, I shelve tie-in novels and scripts alphabetically by series title in with the fiction, except for screenplays by Robert Bolt.) A pure mix is unlikely because of shelf height issues; I think it makes sense to have the noncollected comics, issue by floppy issue, segregated from regular fiction, though I could probably be argued into a change.
Any suggestions? (To make matters worse, I shelve tie-in novels and scripts alphabetically by series title in with the fiction, except for screenplays by Robert Bolt.) A pure mix is unlikely because of shelf height issues; I think it makes sense to have the noncollected comics, issue by floppy issue, segregated from regular fiction, though I could probably be argued into a change.
From:
no subject
From:
no subject
I think the system sticks with the author's country of birth, but I could be wrong.
So do they put everyone who was born in Austria-Hungary together regardless which language they wrote in (I mean they had a dozen or so) and which national literature tends to claim them?
Depending on what the author wrote the item may be classed by subject more so than the author name. Many of the BNA already have class numbers so I just use those.
I'm not sure what the rules are for entities that are not countries. I do know with LC it starts off big for geographic locations so North America -- United States-- and etc...however they do sometimes have LC numbers you can use at the top level of North America. I've only been cataloging two years and I'm still learning.
Today I hit a section of motion pictures and had the hardest time figuring out which LC numbers to use. There is a lot of inconsistency on how movies are treated. And there aren't any pcc records (that I've found so far) to use as a baseline to verify the correct way to class the fictional movies.
From:
no subject
From:
no subject
Maybe, it has to do with the subject of the book to some extent like if the characters are in the U.S. it would go under U.S. literature?
There is a lot about LC that is still a mystery to me. I don't catalog enough literature to be able to answer all these questions well. Normally if I hit something different I end up researching and seeing how other books were classed.
I will say this much about cataloging there is a lot of material to learn and it seems like it'll take years to master it. At this point I think non-fiction is easier to catalog because it's by subject.