LA Times story. Excerpt from the Advocate story that sparked it.
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Best blog post title answering the question.
Bonus: actual trading card in which Superman comes out of the closet.
Cover:
Best blog post title answering the question.
Bonus: actual trading card in which Superman comes out of the closet.
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I do think the LA Times is reaching when it says the homoerotic content is what killed "Batman and Robin." I think being an excruciatingly bad movie is what killed "Batman and Robin." That's what nearly killed me about it, anyway.
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BlackAfrican-American" theme has been debated and discussed in the genre media for a while now, at least since the 80s and the explosion of X-Men/New Mutants/X-Factor popularity. Chris Claremont did a lot to create an explicit thematic link between homophobia and mutants, particularly in the New Mutants and X-Factor books, the latter of which used "anti-mutant" propaganda directed at teen mutants a frequent plot point.Anyway, digression - what is interesting is to see the "gay subtext" question applied to a character as iconic in American culture as Superman. The idea of Superman as a "gay" character/allegory is pretty subversive - what would mom and apple pie say? At the same time, I think it reflects that there's a growing tension within American culture itself over national identity as concerns about social success in terms of legal equality and acceptance within the larger community supercede the old 'immigrant makes good' paradigm.
Uh... does that make any sense?
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Good question because, even though I figure I'm pretty gay-positive as these things go (for a white Canadian of Anglo-Irish descent raised Catholic) but there's a part of me that goes "neeeeeeeeeeeerrrrrrrr" at the idea of a homosexual Superman - and I don't know if that's resistance to messing with established characters or homophobia: if Superman wants to marry Jimmy instead of Lois, does that make him less heroic? Culturally, North America is still working on creating heroic narratives for female characters that realistically balance ideas of heroism and physical courage with the "feminine" attributes - I had to stop watching Alias because I couldn't accept that any undercover agent would be quite so fucking weepy - I'm not sure the mainstream is ready to accept the idea of homosexuality in our "heroes". I dunno.
It's an interesting question that I'm not sure anyone has a good answer for because gay characters, particularly in the Superhero genre, have yet to move beyond the level of patishe - the "gay" Batman and Superman analogues in The Authority, for example.
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Um, helps if I spell it correctly: a 'pastiche' is a picture or musical composition made up of pieces from established works or a story written in the style of a well-know author and I kind of blend to two meanings here to say that comics have their "gay batman" types but no original gay characters as the central character in their own books. At least so far.
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But there was one pre-crisis Earth where Superman was black, as was, I believe, Supergirl, (although they were married, unlike the Superman most people are familiar with.) Of course, he got kaboomed out of existence.
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I believe the "d" stands for dork.
That universe (Earth-D) only appeared in a single issue of Legends of the DC Universe, which was an anthology title of "missing scenes" from various bygone eras, sort of. (there was a flashback Batgirl story, a Barry Allen three-parter, etc.) So even though the story was published in February 1999, it functions as a missing part of "Crisis on Infinite Earths." It was written by Marv Wolfman.
Earth-D's heroes are generally more diverse than ours; there's also an Asian guy who's The Flash, and I think I recall Hawkman and Hawkgirl being Egyptian or Indian or something like that.
(Then their universe explodes.)
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Re: I believe the "d" stands for dork.
Too bad, then!
Thanks for the detailed information.
I want to say this discussion all has something to do with Teyla stabbing people with knives, but it's too complicated and would probably get me stabbed.