I’m finally catching up with SPN, and ( spoilers for 8x20 )
From the department of ‘I don’t know quite how I feel about that’: I met a fellow XF fan who told me, “I read Iolokus when I was fourteen and it changed my life!” I told her that we were very angry at the time, and she indicated that she’d been able to tell. (Additional note to self: I’m old.)
From Deadspin: “You may have heard that the highest-paid employee in each state is usually the football coach at the largest state school. This is actually a gross mischaracterization: Sometimes it is the basketball coach.”
Interesting fan-relevant argument from Jess Nevins about why Lovecraft became canonized and other, better writers of the period didn’t (the second reason strikes me as dependent on context-specific definitions of “first” relating to the rise of copyright, but is still worthy of consideration):
From the department of ‘I don’t know quite how I feel about that’: I met a fellow XF fan who told me, “I read Iolokus when I was fourteen and it changed my life!” I told her that we were very angry at the time, and she indicated that she’d been able to tell. (Additional note to self: I’m old.)
From Deadspin: “You may have heard that the highest-paid employee in each state is usually the football coach at the largest state school. This is actually a gross mischaracterization: Sometimes it is the basketball coach.”
Interesting fan-relevant argument from Jess Nevins about why Lovecraft became canonized and other, better writers of the period didn’t (the second reason strikes me as dependent on context-specific definitions of “first” relating to the rise of copyright, but is still worthy of consideration):
Lovecraft escaped the fate of the vast majority of writers — obscurity, to a greater or lesser degree — through several extra-literary events. … Lovecraft’s letter writing … was critical in establishing Lovecraft as a literary presence to his contemporaries. Lovecraft was an extraordinary correspondent, writing an estimated hundred thousand letters in his lifetime, to fans and fellow writers, especially those working for the pulp Weird Tales. Decades before the social media, Lovecraft used letter writing to create a presence for himself in the consciousness of fans and writers and to create the social capital that paid off after his death.
Too, Lovecraft was the first author to create an open-source fictional universe. The crossover, the meeting between two or more characters from discrete texts, is nearly as old as human culture, beginning with the Greeks if not the Sumerians. The idea of a fictional universe open to any creator who wants to take part in it is considerably newer. French authors like Verne and Balzac had created the idea of a single universe linked through multiple texts, and following them, the dime novels and story papers of the late nineteenth and early twentieth centuries had established the idea of ongoing fictional universes, but those universes were limited to magazines published by the original stories’ publishers. It was Lovecraft who first created a fictional universe that anyone was welcome to take part in. Both during his lifetime and immediately afterward, other authors made use of Lovecraft’s ideas and creations in their own stories and novels. Lovecraft’s generosity with his own creations ultimately gave them a longevity that other, better writers’ ideas and characters did not have.