Or, my contractions, let me show you them.
So I sent off an article to a major law review, a tad over 30,000 words (including footnotes). The draft they returned to me added nearly 5000 (essentially all in the footnotes). I think word limits for law reviews are cool, but they ought to be imposed on the editors as well; swapping professorial bloat for student editor bloat is no victory. I tried to edit out the repetitive additions, caved on the merely boring ones, and balked at the ones ideologically contrary to my own strongly held views.
And of course they took out the contractions. Because why have style when you could have … Teal’c-like gravitas, I guess? Except that something written in a relatively casual style sounds worse – or, at best, comic – with the spotty formalization that comes from writing out all the contractions.
Other stuff:
On appropriation in popular music: A Paler Shade of White: How Indie Rock Lost Its Soul
( a thriller with an IP lawyer protagonist )
So I sent off an article to a major law review, a tad over 30,000 words (including footnotes). The draft they returned to me added nearly 5000 (essentially all in the footnotes). I think word limits for law reviews are cool, but they ought to be imposed on the editors as well; swapping professorial bloat for student editor bloat is no victory. I tried to edit out the repetitive additions, caved on the merely boring ones, and balked at the ones ideologically contrary to my own strongly held views.
And of course they took out the contractions. Because why have style when you could have … Teal’c-like gravitas, I guess? Except that something written in a relatively casual style sounds worse – or, at best, comic – with the spotty formalization that comes from writing out all the contractions.
Other stuff:
On appropriation in popular music: A Paler Shade of White: How Indie Rock Lost Its Soul
( a thriller with an IP lawyer protagonist )
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