Entry tags:
Two books I liked
John Birmingham, Without Warning: Just before the planned US invasion of Iraq in 2003, an unexplained phenomenon wipes out most of North America, leaving only tiny chunks of the USA, Canada, Cuba, and Mexico behind. As with Birmingham’s first trilogy, there’s exciting military action and a willingness to shake things up enough to blow your mind. I loved what I read, but at the same time I wanted to read the other book that could have been written with this premise: the one that wasn’t focused on the remaining Americans (approx. 5 million in the corners and overseas) and how they reacted. Yes, I was interested in them, because their worlds changed in incredible, horrifying ways, but I would also have loved to have seen scenes in Israel, China, Russia, etc. instead of just having American characters react to news from those places. Excellent speculative adventure fiction, but do not read if you can’t handle Americacentrism without an America.
Richard Morgan, The Steel Remains: Morgan has written several books of excellent noirish sf critiquing capitalism. For some reason, he decided that Sarah Monette wasn’t writing fast enough, so he wrote this multi-POV fantasy novel whose most compelling protagonist is a swordsman who gets all the guys. I believe the phrase “*dolphin noises*” accurately expresses my reaction. Um. Palace intrigue, the rise of slavery due to economic and social stresses, creepy alien races with inexplicable agendas, et awesome cetera.
Richard Morgan, The Steel Remains: Morgan has written several books of excellent noirish sf critiquing capitalism. For some reason, he decided that Sarah Monette wasn’t writing fast enough, so he wrote this multi-POV fantasy novel whose most compelling protagonist is a swordsman who gets all the guys. I believe the phrase “*dolphin noises*” accurately expresses my reaction. Um. Palace intrigue, the rise of slavery due to economic and social stresses, creepy alien races with inexplicable agendas, et awesome cetera.
no subject
no subject
no subject
Drat.
no subject
no subject
no subject